airtouchmixers

WHAT THE GUIDANCE SAYS

Every 3 dB
counts.

The person at the mixer sets the dose for the room.

Hearing damage depends on how loud and for how long. UK guidance for music and entertainment turns that into a simple rule of thumb: add 3 dB and the safe listening time halves.

A sound engineer seen from behind at a front-of-house mixing desk in a dark concert hall, hands on the faders, with blurred stage lights in the distance
AI-generated image, not a photograph of a real person or place.

3 dB doubles the energy

  • Loudness times time
  • Small cuts, big gains
  • Rest the ears
  • Loud gigs, kept within guidance

THE SHORT ANSWER

Dose is loudness
multiplied by time.

A decibel number alone does not tell you the risk.
How long people hear it matters just as much.

THE DOSE

Loud and long add up

HSE says 105 dB for 5 minutes gives the same noise dose as 94 dB for an hour or 88 dB for 4 hours.

Check a level

MEASURE

Know the number

The WHO venue standard asks events to monitor sound levels and keep the average to 100 dB over 15 minutes.

See the numbers

PROTECT

Flat-response earplugs

Foam plugs cut high notes far more than low ones. HSE notes specialised plugs can reduce sound almost equally across frequencies.

What crews do

A QUICK LEVEL CHECK

How fast does
the dose fill up?

Pick an average sound level to see how long it takes to reach the same noise dose as 85 dB for a full 8-hour day. The bar shows how quickly that happens.

Level check

Choose an average level
85 dB average8 hours

This is the upper exposure action value itself: a working day at this average reaches the full daily dose.

95 dB average45 minutes

Ten decibels more means ten times the sound energy, so the same dose arrives in under an hour.

100 dB average15 minutes

The level of the WHO venue limit. At this average the daily dose is reached in a quarter of an hour.

105 dB average5 minutes

HSE calls 105 dB a not unusual level for a pub band, or a brass or woodwind instrument at full blast.

110 dB averageUnder 2 minutes

At this level the full-day dose is reached in less time than a single song.

Source: HSE, Sound Advice: Control of noise at work in music and entertainment (HSG260), Table 1, How long it takes to reach a particular noise dose.

Figures from HSE's Sound Advice (HSG260), Table 1. General information about workplace noise guidance, not medical or legal advice.

TWO NUMBERS WORTH KNOWING

Small changes,
big differences.

One figure on how decibels add up,
one on how loud the job at the desk can be.

+3 dB

Added level that doubles sound energy

HSE says each 3 dB added doubles the sound energy, though it is only just noticeable to a listener. Two instruments at 85 dB together make 88 dB.

THE 3 dB RULE · HSE

99–100 dB

Representative exposure, festival FOH engineer

HSE's table of representative exposures at indoor and stadium music festivals lists the front-of-house sound engineer at 99 to 100 dB, and the monitor engineer at 96 to 104 dB.

AT THE DESK · HSE

In Great Britain the Control of Noise at Work Regulations 2005 apply to the music and entertainment sectors from 6 April 2008. They protect workers; HSE says they do not apply to members of the public who choose to go to noisy places.

FOUR HABITS FROM THE GUIDANCE

Keep the gig loud,
keep the ears.

These come from HSE's Sound Advice and the WHO venue standard. Most are about planning and communication rather than turning everything down.

  • Measure, don't guess

    The WHO standard asks venues to monitor sound levels and limit the average to 100 dB over 15 minutes.

  • Agree stage levels early

    HSE notes that musicians asking for ever higher monitor levels can push the whole room up. Plan levels before the show.

  • Ask about the limiter

    Some venues fit noise limiters that cut power when a set level is reached. HSE advises asking how it works before the gig.

  • Plan quiet time

    HSE advises allowing recovery time after loud shows, and the WHO standard asks events to offer quiet zones.

A pair of reusable musicians' earplugs in an open carry case resting on a black flight case next to a coiled cable
AI-generated image, not a photograph of a real person or place.

THE THREE UK NUMBERS

80, 85
and 87.

A handheld sound level meter on a small tripod beside a mixing desk at a gig, with the stage and band softly blurred behind
AI-generated image, not a photograph of a real person or place.

Under the Control of Noise at Work Regulations 2005, employers must assess the risk and give information and training at a daily or weekly average of 80 dB(A). At 85 dB(A) they must provide hearing protection and hearing protection zones.

The exposure limit value is 87 dB(A), which takes account of hearing protection and must not be exceeded. There are matching peak values of 135, 137 and 140 dB for sudden sounds such as a cymbal strike.

Questions

Questions people ask

Why does 3 dB matter so much?

HSE explains that adding 3 dB doubles the sound energy, even though most listeners barely notice the change. So 83 dB for 4 hours gives the same dose as 80 dB for 8 hours.

Do the noise rules cover the audience?

No. HSE says the Noise Regulations protect people at work and do not apply to members of the public who make an informed choice to go to noisy places. The WHO venue standard is aimed at audiences.

What is the WHO safe listening standard?

WHO's Global standard for safe listening venues and events has six features, starting with limiting average levels to 100 dB over 15 minutes and monitoring sound levels. It also covers acoustics, hearing protection, quiet zones and staff training.

Will earplugs ruin the mix?

Conventional plugs cut high frequencies more than low ones: HSE gives the example of a foam plug reducing 125 Hz by 25 dB but 4000 Hz by almost 40 dB. Specialised plugs reduce sound more evenly.

How do I know if a workplace is too noisy?

HSE suggests you probably need to act if people have to raise their voices to hold a normal conversation about 2 metres apart for at least part of the day.

Sources

Where the facts come from

  1. HSE: Sound Advice, Control of noise at work in music and entertainment (HSG260)
  2. HSE: Sound Advice HSG260 full text (PDF)
  3. HSE: Noise regulations, the Control of Noise at Work Regulations 2005
  4. HSE: Noise at work, a brief guide to controlling the risks (INDG362)
  5. WHO: WHO hearing guidelines implemented at major arts festival
  6. NHS: Hearing loss

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